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ออฟไลน์ GAV

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ต่อข้อสงสัย.... ทำไม่นักเล่นระดับไฮเอ็นด์ทั่วโลกจึงมั่นใจกับอุปกรณ์ของ HARMONIX จากประเทศญี่ปุ่น....... ลองหาคำตอบที่มีมากมายโดยใช้ google ดูครับ :headphone
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ออฟไลน์ GAV

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รีวิว HARMONIX AC ENACOM.......

Cleaning Up the Grunge, Part I - AC Enacom Noise Eliminator
Ok, for the next few weeks, I'm gonna be listening with Enacom. Enacom is a set of tweaks from Combak Corp, the Japanese company that has been pretty well known in this area, though in its lineup it also has a line of high-end electronics called Reimyo.

Combak coins the term Noise Eliminator for its Enacom line. It consists of 4 items - the AC Enacom, the Line Cable Enacom, the Speaker Enacom and a speaker tuning CD, called CSS-1. The Line Cable Enacom does not apply to Big E's or my system, as it is for RCA connection and we both use XLR. So Big E collected the other 3 items only.

I shall start with the AC Enacom, moving on to the Speaker Enacom and, lastly, try out the CSS-1 speaker tuning CD.

The AC Enacom is a little metal cylinder that felt pretty robust when I held it in my hand. On one end there is a protruding cable with a 2-blade plug attached, allowing it to be plugged into an American style socket. The AC Enacom works parallel to the power outlet that you use, you can just plug it into a socket that is on the same circuit close to the one you are using. Combak says that Enacom has no polarity, meaning that you can plug it into the AC line one way or turn it around, and it will give the same effect.


That was easy, I plugged it into the spare socket on the duplex outlet that fed my system. This little guy has an effect on my system, and the effect was easily heard. I'd say the effect was significant enough relative to the outlay required.

With the AC Enacom, my hifi sounded quieter, calmer. The background became slightly darker than before. I did not notice much effect on the bass. The mids, though, came off with much better clarity. The highs became smoother and more refined, details could be heard easier. Music, especially that from badly recorded CDs, had less ear-grating moments. Harshness, may it be from the system or the recording, was much reduced. A lot of CDs thus became easier to listen to. Complex music sounded better organized and more coherent.

The AC Enacom's effect is easiest to hear on the highs. With the dirt in the AC supply cleaned up more, the highs became less splashy and less bright. If some absorptive materials (heavy carpet, curtain, sofas etc..) have been put in the hifi room to rein the highs in, one could feel that the highs now were held back a tad more, music could sound slightly less lively and with a little less air. In this case, some reworking of the room's acoustic might be required. For me, I needed to pull the curtain in my room back a wee bit more.


I do not know what the AC Enacom's effect will be when it is used in conjunction with the multitude of AC filters / conditioners / regenerators out there. With my Shunyata Hydra 8 power line conditioner, it did make its presence known. I listened with the AC Enacom for almost one week, and its effect was always consistent, just as I described. I plugged it in and unplugged it numerous times, and heard the same effect. Its influence was rather immediate as you plug it in, no waiting was required.

I believe the AC Enacom would be especially useful for a system if it has a hashy, gritty treble, where you look to put a little polish, a little more refinement to it. I think if your system suffered from too much brightness, the AC Enacom would help too. Like any tweak, the best way is to try it in your own system.

The silver bullet to cure some power supply maladies? Quite so.
www.combak.net
www.grand-av.com


ออฟไลน์ GAV

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POSITIVE FEEDBACK REVIEW...... :headphone

As I close in on the sound I want for my system, it is a bit more analytical and less emotional than I'd like. I'm not in pursuit of a romantic sound, but I'm also not a fan of very detailed, but dead-in-the-water sound. Although such systems can sound emotionally expressive, it's the exception rather than the rule. Often, these systems sound like an autopsy. There's a body, and all the parts are present and in the right place, but there's no life. Music is an emotional medium, and I want—no, demand—emotion in my system.

I heard an astonishing system at CES consisting of Reimyo electronics, Bravo speakers with a prototype subwoofer, and Harmonix wiring. The sound was the best at the show, by a good margin—engrossing, emotional, and detailed. Given the size of the components and the simplicity of the layout, I thought I'd misspent my audio money, though as often happens, I changed my mind when I learned the cost of the system, which was easily twice that of mine. I was taken by the sound, and told May Audio's Lance Van Schoonhoven that I wanted some of what they had working, but couldn't pay for it. At some point during the conversation, either Lance or a Combak rep said that there was no magic without the Enacom filters. As a recovering slut for good sound, I fell off the wagon quickly. What? Could the smoothness and emotional, inviting detail be attributed to the Enacom filters? At around $300, I could give them a try without having to replace my system, so I requesteds review samples, and Lance sent a set of AC, speaker, and interconnect filters.

I've always wanted little or no part of tweaks. I knew that they made a difference, but that they built upon the component architecture of a system. Once my system structure was in place, I'd be interested in tweaking, not before. This is why I passed on listening to the Enacom filters when they were review items for audioMUSINGS about ten years ago (see that review here), but now I thought that they might be able to give my system a bit more emotionality. From other reviews, I've gleaned that the Enacom AC filters reduce EMI and RFI in your power lines by means of parallel filtering, which means that they plug into an electrical socket in the same circuit as the components that you want filtered. I plugged two AC Enacoms into the spare electrical socket where I'd plug my API Power Pack and another in a spare socket on the same circuit.

Part of my interest in the AC filters arises from living next to a fanatical ham radio operator who has at least seven large antennas in his back yard. Fortunately, only one of these operates at a time, but occasionally, no matter how well my interconnects, power cords, and speaker cables are dressed, and depending on the frequency he's hamming on, I hear Stew loud and clear. I was hoping that the Enacom AC filters would do something that ferrite rings had not, which was to extract Stew from my stereo. With the AC filters in place, he was nearly banished. Although I heard him on one or two occasions, the volume level of his intrusions dropped. The AC filters definitely helped with the RFI, but they didn't eliminate it.

Aside from that, inserting the AC filters quieted the sound noticeably. Some unnoticed ringing in my system was attenuated, and music had a quieter, blacker background. With that increase in blackness came a more expressive musical presentation, which in turn delivered more emotionality and intimacy, especially in the vital and sensitive upper midrange. Top-end detail was sweetened and perhaps softened, though there was no loss of detail. All of the detail that I heard before inserting the AC filters was still present, but the spikiness of the sound was reduced. I preferred my system with the AC filters. I initially feared that I was losing musical information, but it wasn't so.

The Enacom speaker filters had a similar effect. The speaker filters are placed between the speaker cables and the speaker terminals, but the cables are not inserted into the filters. They simply share the same connection. A knowledgeable friend told me that the speaker filters might cause oscillation if I placed them between the speakers and a tube amplifier, but I did not hear oscillation, and the gains wrought by the Enacom AC filters were multiplied by the speaker filters. I heard a further lessening of the level of background noise and a purer quality to the tone—something I value very highly.

I enjoyed the sound, but over the course of a few weeks, a niggling sense that I was losing detail began to creep in. In a fit of audiophilia, I spent the better part of an afternoon going back and forth between speaker filters and no speaker filters. (I did leave the AC filters in place.) It did appear that I was losing detail, but the detail I was losing was added noise and ringing. On Ry Cooder's Jazz CD, when his fingers dance up and down the fretboard, you can occasionally hear a squeak of human flesh dragging across the strings. Without the Enacom speaker filters, the squeaking was more sibilant, louder, and leaner, with less color. With the filters in place, the squeaking had more body, or perhaps I should say that it had more sustain and less attack and decay? In short, I found the differences small, though worthwhile. My system is now quite resolving, with a purer presentation, but not at the cost of detail. This was a worthwhile upgrade.

The Enacom interconnect filters are plugged into your amplifier, where the filters sort of act as female RCAs. This time, the noise floor seemed to dropped a bit, but maybe I was only imagining it. I tried going back and forth with these filters, but couldn't definitely say that they made a difference. It may be that in another system—perhaps a brighter one than mine—the interconnect filters would make a bigger difference. In my system, they didn't raise the flag for a "yes."

The Enacom AC and speaker filters helped me bridge some of the gap between my system and the megamegabuck Combak system I heard at CES. My system is now quieter, and there is less ringing. Even with a $159 Sony 875V DVD player temporarily acting as my reference CD player, my system sounds quite musical, with the sort of detail that allows musical expression. I'm certainly not making the Sony my long-term reference player, but I'm not suffering too much with it as my digital source.

I'm happy for the increase in the emotionality of my system. Although I probably have a unique set of RFI problems, they were definitely attenuated by the Enacom AC filters. All of the Enacom filters warrant a look. They will be worthy additions to most systems. Larry Cox

www.combak.net


ออฟไลน์ GAV

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รายละเอียด หาดูได้ใน  www.combak.net    :headphone

In sound and image equipment, audio-video signals travel virtually without distortion through the electronic circuitry to the output terminals. But once the signal starts traveling beyond the output terminals and through the interconnect cables and speaker wires, it encounters load resistance, producing a ringing, high-frequency distortion. Enacom noise eliminators remove this harsh noise forever. Simply by connecting the appropriate Enacom device to your equipment, noise just disappears, and sound you didn’t know was there springs to vivid life. Music becomes more cleanly delineated, right down to the least nasal and metallic vocal, giving the sweetest, clearest signal you’ve ever experienced.

The Secret to Sweeter Sound
ENACOM audio noise eliminators by Harmonix are the easiest - and least expensive - way to filter out annoying RF noise as well as the ringing high frequency distortion caused by the inherent load resistance of interconnect cables and speaker wires.

Connect the Line Cable ENACOM between your amplifier and each audio component and clean up the clutter.
Attach the Speaker ENACOM to your speaker cables and listen to improved loudspeaker response.
Plug an AC ENACOM into an empty outlet next to your equipment and say goodbye to harsh sound forever.
The secret's out: Your system simply cannot sound any sweeter.






ออฟไลน์ GAV

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ที่สุดกับผลิตภัณฑ์ไฮเอ็นด์จาก ญี่ปุ่น HARMONIX อุปกรณ์ขจัดสัญญาณรบกวนทางไฟฟ้า รุ่น AC ENACOM ...... ออกแบบและผลิตจากประเทศญี่ปุ่น....... จัดราคาพิเศษเพียง 4,000 บาทเท่านั้นครับ!!!!!  :headphone









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